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   ÇöÀçÀ§Ä¡ : HOME > ¾ÆÆ®³× Ä¿¹Â´ÏƼ / Çà»ç¾È³», Àü½Ã¼Ò°³

Á¦¸ñ [»ç¹«¼Ò]2015 Â÷°í #1: ±èÁö¿µ - ¼±ÇÒ ¼ö ¾ø´Â ³ë·¡
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ȨÆäÀÌÁö Homepage : http://samuso.org
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2015 Â÷°í #1: ±èÁö¿µ - ¼±ÇÒ ¼ö ¾ø´Â ³ë·¡ ∙ Àü½Ã±â°£: 2015. 03. 06 – 2015. 03. 27 ∙ °ü¶÷½Ã°£: ¿ÀÈÄ 12½Ã – 7½Ã ∙ Àü½ÃÀå¼Ò: »ç¹«¼Ò Â÷°í ∙ À¥»çÀÌÆ®: www.samuso.org ∙ ÁÖ¼Ò: 110-210 ¼­¿ï½Ã Á¾·Î±¸ À²°î·Î 3±æ 74-3 ¼±ÇÒ ¼ö ¾ø´Â ³ë·¡ ³ª´Â ¹Ù´Ù º¸´Â °ÍÀ» ÁÁ¾ÆÇß´Ù. ¿ù¹Ìµµµç ºÎ»êÀÌµç °¡¼­ ¹Ù´Ù¸¦ ¹Ù¶óº¼ ¶§¸é, ³ª´Â Ä«¹¿°¡ ºÎ·´Áö ¾ÊÀ» ȲȦÇÔ°ú ¾ÆÂñÇÑ Çع氨À» ´À³¢°ï Çß´Ù. ±×·¯³ª ´õ ÀÌ»ó ±×·± ¹Ù´Ù´Â ¾ø¾ú´Ù. ¿µÁ¤ ¾Õ¿¡ ¼­¼­ ±¹È­ ÇÑ ¼ÛÀ̸¦ Áå ¼Õ³¡¸¸ ¹Ù¶óºÃ´ø °Íó·³, ¿À´ÃÀÇ ¹Ù´Ù ¾Õ¿¡¼­ ³ª´Â ±Á¾î ¼­¼­ ½¬ÀÌ °í°³¸¦ µéÁö ¸øÇß´Ù. ¶³±º ±Ó°¡¿¡ ¸Å¼·µµ·Ï dz°æÀÌ ¿ï¾ú´Ù. Áö¿öÁö°í ÀÖ´Â ¸¹Àº °ÍµéÀÌ ¾ÆÁ÷ ¿©±â¿¡ ÀÖ´Ù°í. ½° ¾øÀÌ Ä¡¿­ÇÏ°Ô ¸»ÇÏ°í ÀÖ¾ú´Ù. ³ª´Â ¿ë±â¸¦ ³»±â·Î Çß´Ù. ÁøÀÛ¿¡ ³»¾ú¾î¾ß ÇÒ °ÍÀ̾ú´Ù. ³»°Ô ¿°Ä¡¶õ °ÍÀÌ Çã¶ôµÇ¾î ÀÖ¾ú´Ù¸é, ¸¶¶¥È÷ ³ª´Â °í°³¸¦ µé¾î ½½ÇÄÀ» ¸¶ÁÖÇÏ°í ºÎ´ÜÈ÷ Áø½ÇÀ» È£ÃâÇß¾î¾ß Çß´Ù. ¿ÂÀüÇÑ ¼ÕÀ¸·Î ´Ù¸¥ ÀÌÀÇ ¶³¾îÁ® ³ª°£ »ìÁ¡À» ¸»ÇÑ´Ù´Â °ÍÀº ¾ó¸¶³ª Æø·ÂÀûÀΰ¡. ±×·¯³ª °ÅµÑ °ÍÀº ½Ã¼±ÀÇ Æø·ÂÀÌ ¾Æ´Ñ ºÎµ¿ÀÇ ¼±ÇÔÀ̾ú´Ù. Ä®Àڷ縦 Èֵθ¥ ¿À´ÃÀ» ¸ñµµÇϱâ À§Çؼ­ µÎ ´«À» ºÎ¸¨¶¹¾î¾ß Çß´Ù. ±×³¯ ÀÌÈÄ °í¿©¸¸ °¡´Â ¿À´ÃÀ» À§ÇØ ÇÊ¿äÇÑ °ÍÀº ¼±ÇÑ ´«¹°ÀÇ ¹«·ÂÇÔÀÌ ¾Æ´Ñ, À̱âÀûÀÎ ¿ë±âÀÇ ÃÖ¼±ÀÏÁöµµ ¸ð¸£´Â °ÍÀÌ´Ù. Áø½Ç°ú ½½ÇÄÀº ½ÃÇý¶ó´Â ³ª¹«ÀÇ ¿­¸Å µûÀ§°¡ ¾Æ´Ô¿¡µµ, ½ÃÇýÀÇ Æø·ÂÀ¸·Î ±â¿ï¾îÁø À±¸®°¡ »ï¹é ÀÏÀÌ ³Ñ´Â °Å´ëÇÑ ¿À´ÃÀ» ¸¸µé¾ú´Ù. 3¿ùÀÌ ¿À¸é »ç¶û½º·± ³ªÀÇ Á¶Ä«°¡ À¯Ä¡¿ø¿¡ µé¾î°¡°í, »ç¶ûÇϴ ģ±¸ÀÇ ¾ÆÀÌ°¡ ž´Ù. ¿©ÀüÈ÷ ¿ï°í Àִ dz°æó·³, ³ªÀÇ ¼­Å÷ Ä¡¿­ÇÔÀÌ ±× ¿ï¸²¿¡ ´õÇØÁ® ±â¿ï¾îÁø À±¸®¿¡ ±Õ¿­À» ³¾ ¼ö Àֱ⸦. ±×¸®°í ºÎÁö·±ÇÑ Ä¡¿­ÇÔÀ¸·Î º¸´Ù ¸¹Àº ¼Ò¸®µéÀÌ ´õÇØÁ® ±×³¯À» °¡¸° µÎÅÍ¿î ¿À´ÃÀ» ºÎ¼ö°í, ºñ·Î¼Ò µå·¯³¯ ¿À´ÃÀ» °£ÀýÈ÷ °í´ëÇÑ´Ù. ÀÛ°¡ ¼Ò°³ 1987³â¿¡ ž ¼­¿ï¿¡¼­ È°µ¿ ÁßÀÎ ±èÁö¿µÀº ¸»ÇÒ ¼ö ¾ø´Â °Í¿¡ ´ëÇÏ¿© ¼Ò¸®·Î½áÀÇ ¸»Çϱ⸦ ½ÃµµÇØ¿À°í ÀÖ´Ù. ÀÌ´Â »îÀÇ ¹è¸é¿¡ ÀÚ¸®ÇÏ´Â Æø·Â¿¡ ´ëÇÑ °ü½É¿¡¼­ ºñ·ÔµÈ´Ù. ±³¿ª¼Ò(¼­¿ï, 2014), ¹ÝÁöÇÏ(¼­¿ï, 2014) µî¿¡¼­ÀÇ ÇÁ·ÎÁ§Æ®¿Í ¾Æ¸¶µµ ¿¹¼ú °ø°£(¼­¿ï, 2014), ¾ÆÆ® ½ºÆäÀ̽º Ç®(¼­¿ï, 2011) µî¿¡¼­ÀÇ Àü½Ã¿¡ Âü¿©Çß´Ù. ÇöÀç Çѱ¹¿¹¼úÁ¾ÇÕÇб³ ¹Ì¼ú¿ø Àü¹®»ç °úÁ¤¿¡ ÀçÇÐ ÁßÀÌ´Ù. 2015 CHAGO #1: Jiyoung Keem - Song unable to be good ∙ Period: March 6, 2015 – March 27, 2015 ∙ Opening Hours: 12 pm – 7 pm ∙ Venue: Samuso CHAGO ∙ Website: www.samuso.org ∙ Address: 74-3 Yulgok-ro 3-gil Jongno-gu Seoul 110-210 Korea Song unable to be good I used to like to look at the sea. Whenever I would go to Wolmido Island or Busan and gaze at the water, I would feel dazzled and a sense of release just as Camus would have felt. However that sea is no longer there. Similar to that moment when I was only able to stare at my fingertips holding a white chrysanthemums in front of the portraits of the deceased, I could not easily raise my head in front of the sea after the Sewol ferry tragedy. The wind-bell cried fiercely in my shameful ears; telling me that the many things erased from people's mind still remain here. I decided to be more brave. I should have been earlier. If I was allowed a sense of shame, I should have raised my head, face the sorrow and spread the truth. How violent it is to speak of someone's torn flesh with sound hands; however, it is the immobile good that should be withdrawn, not the violent voiceful. To witness the present that has wielded its sword, I should have confronted the day with both eyes wide open. Maybe it is selfish courage that is needed not the inability of kind tears after the Sewol tragedy. Although truth and sorrow are not just fruits of the tree of moral indebtedness, the violent ethics made from this moral indebtedness have made the present day. In March, my adorable niece will enter kindergarten and my dear friend will give birth. I eagerly hope that just like the crying wind-bell, my awkward fervor will add to that cry and bring a crack to the distorted sense of ethics. Moreover, I hope that my attentive willingness will add to more voices and destroy the present that has blocked the day of the disaster, and in the end I look forward to the present that will reveal the truth at last. About the Artist Ji-young keem, born in 1987, lives and works in Seoul, South Korea. She has been trying to bring voice to the things that cannot be spoken of. This originated from her interest in the violence situated in the rear side of life. She took part in projects such as Gyoyokso (Seoul, 2014), Banjiha (Semi-Basement), (Seoul, 2014), etc., and participated in several exhibitions at Amado Art Space/Lab (Seoul, 2014), Art Space Pool (Seoul, 2011) and more. Currently she is in the Master's course in the School of Visual Arts of Korea National University of Arts. Translated by Wonjung Nam, Songyi Son

Link #1 : http://www.samuso.org/wp/15_chago_01/
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