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FLAME AND THE SEA: A Group Exhibition of Huang Yuxing, Gao Weigang and Ouyang Chun


/   Galerie Perrotin (Hong Kong)  
FLAME AND THE SEA



A Group Exhibition of Huang Yuxing, Gao Weigang and Ouyang Chun
 
Galerie Perrotin (Hong Kong)

18 July - 17 August 2013




Galerie Perrotin, 17/F, 50 Connaught Road, Central, Hong Kong






OUYANG CHUN



A prolific imagination and incredible diligence are the strongest impression Ouyang Chun leaves after a first meeting. Not too long ago, he painted every morning tirelessly from 2pm to 6am, aside from sleeping, he only painted. Ouyang Chun is a man of contradictions, while he uses his innocent and perceptual paintings to suck in his viewers, he himself has had a rather complicated life of experiences, and has exceptionally rational thoughts on art itself. He abandoned middle school, ran away from home and self-educated in the ways of the world. He brushed up against seedy underworld types, who were to later be reincarnated in his paintings as ¡°evil¡±characters.



Ouyang Chun¡¯s paints an illusory world of childlike imagination that lets him safely dodge the complexities and excitements of reality. At first glance, his paintings look like the scribbles of a child, they are piled up with intense colors, generous layers of oil paints, unrestrained brush strokes, with Ouyang Chun¡¯s metaphors. Ouyang Chun¡¯s painting unintentionally reveals a kind of natural purity, it seems to resist age as well as certain established traditions of painting, but it doesn't feel affected; perhaps we can conclude it has a poetic and magical enchantment.



Luminescence is a series of works Ouyang Chun had been working on from 1998 to 2006, by collecting day to day objects and painting on them, including small boxes, posters, plastic bags etc. His creation, on one hand is very personal narration of life experience, on the other hand, is a sensitive approach to communicate with audience. His way to display thousands of small paintings in a whole wall reaching the ceiling endows these earthly stuff some kind of religious significance.



Ouyang Chun¡¯s academic deficiencies are good and bad, he lacks the painting habits learned over practice, but is instead in touch with a primal force of life, a spiritual influence, and is sympathetic to color. Such poetic images tantalize the collective unconscious of the Post 70s generation.







Huang Yuxing



With this exhibition works of the new series ¡°River¡±, Huang Yuxing totally abandoned conceptual art, and absorbed himself in the exploration of painting language itself. The paintings look classic, simple and even a bit tedious. It is always one river, either silent or running with whirlpool, and a few trees overlapping with architectural structures as background. But all these seemly simple surfaces are coming out of layers upon layers thin and transparent colours interweaving and interplaying, as well as scraping with knives. Standing in front of these mottled dark blue and green tone paintings, it feels like Monet¡¯s water lily pool, or Rothko¡¯s overwhelming abstract colours. Chinese philosophy believes still water going deep. There is always unpredictable passion underneath external calmness. About this new series, Huang Yuxing¡¯s only explanation is: I just want to paint the lapse and standing still of time. Things flow away day and night, but when an artist standing in front of his canvas, the world is timeless and immortal.



The development of paintings is sluggish nowadays. Compared with other artists in the same generation, Huang Yuxing¡¯s style reveals singularity, which seemingly detached from current social contexts. Yet, there are practically apparent relations with his educational background in the academy, exposing a ¡°fallacious¡± aesthetic value and ¡°paradoxical¡± comprehension, which are especially apparent in his latest undertaking. Strong visible impact intertwined with practically thin paints attached to the canvases, endowing the whole picture with an eerie aura. Despite the surrealism prevailing in his paintings, sarcasm about politics, even not explicit or pertinent, serves as the quintessence. Huang¡¯s detachment mirrors a collective consciousness of bunch of people in the same generation. Renouncing conceptualism whenstarting painting, Huang typically fulfills his artistic practices along with modernism, imbuing the new surroundings with new significances and values.









Gao Weigang



Gao Weigang (b. 1976, based in Jixi, Heilongjiang Province, China) is an intensely versatile artist, reveling in his capacity to turn from painting to performance and then to sculpture in the short space of a single project, emphasizing wild experimentation and bold initiative over style or unitary practice. The 2011 winner of the ArtHK Art Futures prize, Gao Weigang evades categorization of his artworks into a particular genre.



His language makes each piece both the apparatus and the product of experiment, transforming objects so they break through the audience¡¯s natural and ideological perceptions of the material world. Gao Weigang¡¯s creations are also personal: they are milestones in the artist¡¯s quest of self-reflection and a constant re-examination of himself. Despite the many artistic forms and materials Gao Weigang adopts and the great aesthetic variations throughout his works, they all reflect his intention to challenge the viewer¡¯s accustomed visual culture with a sense of humour and an overriding hint of skepticism. Whether it is painting, sculptures or installations, the artist manages to retain a strong sense of medium-specificity.





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Ouyang Chun was born in Beijing, China. He lives and works in Beijing





Solo shows / ËÁî÷





2012  Child, Today Art Museum, Beijing, China / ¡°ú©ÔÛ¡±£¬ÐÑìíÚ¸âúν£¬ÝÁÌÈ£¬ñéÏÐ

         Reveling In Rambling, Yuz Museum Jakarta, Indonesia / ¡°囈åÞ¡±£¬åùÓìé¥Ú¸âúν£¬äºÊ¥Ó¹£¬ìÔÒù

2011  Painting the King, Belvedere-Upper Belvedere & Augarten Contemporary, Vienna, Austria / ¡°èÝ¡±£¬ BelvedereÚ¸âúν£¬ë«å¥Ò¡£¬奥ò¢××

2010  Ouyang Chun-Painting the King, me Collectors Room, Berlin, Germany / ¡°èÝ¡±£¬me Collectors Room£¬ÛÚ×ù£¬ÓìÏÐ

2009  Ouyang Chun-Paintings 2007-2009, Galerie Frank Schlag & Cie, Germany / ¡°Ï±åÕõð¡°2007-2009¡±íÂù¡î÷¡±£¬Frank Schlag & Cie畫ÕÆ£¬ÓìÏÐ

         Alter Ego, Gallery of Art Three on the Bund, Shanghai, China / ¡°ËÁàõîÜ另ìéØü¡±£¬èâ÷¨3ûÜ滬ãé畫ÕÆ£¬ß¾ú­£¬ñéÏÐ

2008  Tale of Whaling, Han Ji Yun Contemporary Space, Beijing, China / ¡°øÚÌôÑÀ¡±£¬ùÛñýæÑÓ×ÓÛÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ

         Infinity Column, Star Gallery, Beijing, China / ¡°ÙíÏãñº¡±£¬àøÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ

2007  A Productive Painer, Gallery J Chen, Taipei, Taiwan / ¡°Òý產畫Ê«¡±£¬Gallery J Chen£¬÷»ÝÁ£¬÷»Ø½

         Luminescence, Star Gallery, Beijing, China / ¡°璀ó¿¡°£¬àøÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ

2006  Luminescence - Ouyang Chun¡¯s Solo Exhibition, Star Gallery, Beijing, China / ¡°璀ó¿ - ϱåÕõðËÁìÑíÂù¡î÷¡°£¬àøÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ ñé国

         Whaling, Star Gallery, Beijing, China / ¡°øÚÌôàÏ¡±£¬àøÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ

2004  We Armed Ourselves with The Flames of Endurance and Arrived in the City of Glory at Dawn, Yanhuang Art Museum, Beijing, China / ¡°ä²Ùúî¤æ×áÀîÜìÛÒ±ñé

Ùëíû£¬âËîÊÝÙüûî½Ó¹ÎÃýÊîÜàò鎮¡±£¬æú黄Ú¸âúν£¬ÝÁÌÈ£¬ñéÏÐ





Group Exhibitions / ÏØî÷





2012  The 9th Shanghai Biennale, Shanghai, China / ¡°ð¯ÎúÌúß¾ú­äªÒ´î÷¡±£¬ß¾ú­£¬ñéÏÐ

         Spin – the First Decade of New Century / Today Art Museum, Beijing, China / ¡°í»àÁ——ãæá¦ÑºîÜä¨Ò´¡±, ÐÑìíÚ¸âúν£¬ÝÁÌÈ£¬ñéÏÐ

         RE:PAINTING / Platform China, Beijing, China / ¡°î¢üë畫¡±£¬ó×÷»ñéÏÐ £¬ÝÁÌÈ£¬ñéÏÐ

       Modern@modeng – Gallery Hotel Art Project, Gallery Hotel, Beijing, China / ¡°Ø¤Ôô - ßúËÜçÝâúͪüñ£¬ßúËÜñÐïÁ£¬ÝÁÌÈ£¬ñéÏÐ

2011  Future Pass – From Asia to the World, Abbazia di San Gregorio, Venice, Italy / ¡°Ú±ÕÎ÷×ú¼ñû——ðôä¬ñ½ÓðîïϹ¡±£¬á¡Ì«ÖôÍüÞÙáóԳ꣬êÎÒùÞÙ£¬ëòÓÞ××

        Draft, Shanghai Gallery of Art Three on the Bund, Shanghai, China / ¡°ÛÜöÁ¡±£¬èâ÷¨3ûÜ滬ãé畫ÕÆ£¬ß¾ú­£¬ñéÏÐ

2010  Close Encounter, Cheju National Gallery, Korea / ¡°ðäé硱£¬ð­ñ¶ÓöÚ¸âúν£¬ð­ñ¶Óö£¬ùÛÏÐ

        The Official Opening of Minsheng Art Museum - Thirty Years of Chinese Contemporary Art, Min Sheng Art Museum, Shanghai, China / ¡°ÚÅßæúÞÓÛÚ¸âúν

ËÒØ­î÷——ñéÏÐÓ×ÓÛçÝâúß²ä¨Ò´Õõï£¬ÚÅßæúÞÓÛÚ¸âúν£¬ß¾ú­£¬ñéÏÐ

2009  Weaving A Chinese Dream - Chinese Elements in New Generation Art,Star Gallery, Beijing, China / ¡°øºòÄìéËÁñéÏÐÙÓ——ãæçÝâú×ëîÜñéÏÐêªáÈ¡±£¬àøÍöÊ࣬

ÝÁÌÈ£¬ñéÏÐ

         From Zero to Hero,Star Gallery, Beijing, China / ¡°ðô Zero Óð Hero¡±£¬àøÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ

         Art Beijing 2009 Thematic Exhibition: Art Unforbidden Poetic Daily - Group Exhibition by Young Chinese Artists, National Agriculture Exhibition Center,

Beijing, China / ¡°ãÌëò¡¤ ìíßÈ——ñéÏÐÒ´ÌîçÝâúÊ«ÏØî÷¡±£¬îïÏÐÒÜåöî÷ÕÂν£¬ÝÁÌÈ£¬ñéÏÐ

2008  Realms of Myth, Shanghai Gallery of Art Three on the Bund, Shanghai, China / ¡°ãêü¥ñýÍ£¡±£¬èâ÷¨3ûÜ滬ãé畫ÕÆ£¬ß¾ú­£¬ñéÏÐ

         Looking for me,Minsheng Art Museum, Shanghai, China / ¡°找í»Ðù¡±£¬ÚÅßæÓ×ÓÛçÝâúñéãý£¬ß¾ú­£¬ñéÏÐ

2007  Escape By Crafty Scheme - Salvation From Traditional And Revolutional Language, Square Gallery Of contemporary Art, Nanjing, China / ¡°ÑÑàÑ÷­Ê×—ðôîî÷Öûú

úÔÙ¤ñéîÜåÞåëñõÏ­¡±£¬ÞÌÛ°Ó×ÓÛÚ¸âúν£¬ÑõÌÈ£¬ñéÏÐ

          The Generation Pulled From the Center, 798 Art District, Beijing, China / ¡°õÎ×îñéãýîÜìéÓÛ¡±£¬798çÝâúÏ¡£¬ÝÁÌÈ£¬ñéÏÐ

Hand + Experimentation, Tokyo Wonder Site, Tokyo, Japan / ¡°â¢+ãùúС± £¬TWS£¬ÔÔÌÈ£¬ìíÜâ

2006  The Self-made Generation, Zenda Museum, Shanghai, China / ¡°í»ä²ðãÏÑ¡± £¬ß¾ú­ñûÓÞúÞÓÛçÝâúν£¬ß¾ú­£¬ñéÏÐ

         Experience New China, Arario, Beijing, China / ¡°õ±úÐîÜñéÏС± £¬ä¹ÕÃ×ì奥ÝÁÌÈ£¬ÝÁÌÈ£¬ñéÏÐ

         New Interface - Landing of UP Generation, Red Bridge Gallery, Shanghai, China / ¡°ãæÍ£Øü——UP ìéÓÛÔô×Áî÷¡±£¬ûõÎé畫ÕÆ£¬ß¾ú­£¬ñéÏÐ

2005  Next Station: Cartoon?, Star Gallery, Beijing, China & He Xiangning Art Museum, Shenzhen, China / ¡°ù»ìéó×,卡÷×嗎?¡±£¬ù¼úÅëêÚ¸âúν£¬ä¢圳£¬ñéÏÐ

         The Generation After Market Changes China, Mingyuan Art Center, Shanghai, China & Today Art Museum, Beijing, China / ¡°70 ý­çÝâú——ã¼íÞËÇܨñéÏÐý­

îÜìéÓÛ¡± £¬Ù¥ê®ÙþûùçÝâúñéãý£¬ß¾ú­£¬ñéÏУ¬ÐÑìíÚ¸âúν, ÝÁÌÈ, ñéÏÐ

        Naughty Kids, Star Gallery, Beijing, China / ¡°ÎÕú©í­îÜô¸Íö¡± £¬àøÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ

        The Game of being Low and Shallow - The Rising of the cartoon Generation, 3818 Cool Gallery & Hanno Art Gallery, Beijing, China / ¡°î¸ûúô¼îÜë´戲——卡÷×

ؼ畫ìéÓÛîÜ崛Ñá±Ó×ÓÛçÝâúî÷£¬3818 Í·,á¦Ñºù×Ùø畫ÕÆ£¬ÝÁÌÈ£¬ñéÏÐ

        The Second Chengdu Biennale, Chengdu, China / ¡°ÌØκ¡¤ á¦Ñºæ¨ô¸ÓÑ¡±£¬ð¯ì£Ìúà÷Ô´äªÒ´î÷£¬à÷Ô´£¬ñéÏÐ

        A Cartoon, TAIKANG Top Space, Beijing, China / ¡°ìé卡÷ס± £¬÷ÁˬÍöÊ࣬ÝÁÌÈ£¬ñéÏÐ

2004  Ideal of A New Generation, He Xiangning Art Museum, Shenzhen, China / ¡°á´Ò´ãýѨ¡±£¬ù¼úÅëêÚ¸âúν£¬ä¢圳£¬ñéÏÐ



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